Boston Symphony Orchestra Associate Conductor Ken-David Masur makes his debut with the Chicago Symphony Orchestra at Ravinia in summer 2018, leading two all-Tchaikovsky programs, then returns to Tanglewood to conduct the Boston Symphony Orchestra in music of Glinka, Rachmaninoff's Piano Concerto No. 2 with Kirill Gerstein, and Stravinsky's Firebird. He travels to Tokyo at summer's end to conduct workshops and a concert celebrating the 10th anniversary of the Mendelssohn Foundation in Japan. In October 2018 he leads a subscription week with the BSO. Guest engagements in the coming season include those with the Louisville Orchestra, Detroit Symphony, and Chicago Civic Orchestra, plus concerts abroad with the National Philharmonic of Russia, Collegium Musicum Basel, Stavanger Symphony, and Mulhouse Symphony Orchestra in France. Recent performance highlights include weeks with the Milwaukee, Colorado, and Portland (ME) symphonies and returns to the Los Angeles Philharmonic at the Hollywood Bowl, Chicago Civic Orchestra, Munich Symphony, where he is Principal Guest Conductor, and the Yomiuri Nippon Symphony Orchestra in Japan.
He led l' Orchestre National de France in Paris in a program with Anne-Sophie Mutter, and regularly conducts in Germany, Korea, and Moscow. As a sought-after leader and educator of younger players, Mr. Masur frequently conducts the Chicago Civic Orchestra, Boston University Tanglewood Institute orchestra, and the New England Conservatory, and Tanglewood Music Center Orchestras. Ken-David Masur and his wife, pianist Melinda Lee Masur, are founders and Artistic Directors of the Chelsea Music Festival, an annual two-week multimedia production of music, art, and cuisine, which in June 2018 presented its 9th season, 'Bach 333,' in New York City. Its productions are varied and internationally themed, always including premieres of new works by young and established composers.
The New York Times frequently features the festival amongst its Best Classical picks of the season. In 2011 Ken-David Masur was the recipient of the Seiji Ozawa Conducting Fellowship at Tanglewood, where he was invited to return as a Fellow in 2012. He made his Boston Symphony Orchestra debut at Tanglewood in July 2012, sharing a program with his father, conductor Kurt Masur.
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Pronunciation [ ] • (): /ˈtʰʊŋka/ Noun [ ] tunga f ( genitive singular, plural ) • ( organ) •, • of land in a stream • the of a • ( ) Declension [ ] Declension of tunga f1 singular plural indefinite definite indefinite definite tunga tunga Icelandic [ ] Etymology [ ] From, from, from. Tugan kunge arnalgan tilekter sinilime. Pronunciation [ ] • (): /ˈtʰuŋka/ • Rhymes: Noun [ ] tunga f ( genitive singular, nominative plural ) • ( ) a • • the of a shoe Declension [ ]. Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Cebuano [ ] Adjective [ ] tunga • Noun [ ] tunga • ( ) the of a • ( ) the center of a • the portion of something; the part well away from the • ( ) the point on a that is between the • ( ) the point in the interior of any of any number of that has as its the of the coordinates of all points on the of the figure (or of all points in the for a center of volume) Verb [ ] tunga • to into halves • to to halfway point • to Faroese [ ] Etymology [ ] From, from, from.
He became a BSO assistant conductor in fall 2014. Previous appointments include associate conductor of the San Diego Symphony, assistant conductor of the Orchestre National de France, and resident conductor of the San Antonio Symphony. He has had guest engagements with the Dresden, Israel, and Japan Philharmonics; with the Orchestre National de Toulouse, and the Hiroshima, Omaha, and Memphis symphonies. Ken-David Masur has recently made recordings with the English Chamber Orchestra and violinist Fanny Clamagirand, as well as with the Stavanger Symphony.
As founding music director of the Bach Society Orchestra and Chorus at Columbia University, he toured Germany and released a critically acclaimed album of symphonies and cantatas by W.F. Bach and J.S. Masur received a Grammy nomination from the Latin Recording Academy in the category Best Classical Album of the Year for his work as a producer of the album 'Salon Buenos Aires.'